MB&F - MB&F LM101 White gold
Luc Virginius / Chronopassion
MB&F - MB&F LM101 White gold

MB&F LM101 White gold

MB&F
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61'200 €

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See other pictures Luc Virginius / Chronopassion

MB&F LM101 White gold

For a classically sized 40mm wristwatch, Legacy Machine 101 covers a lot of ground. Or to be more precise, LM101 covers a lot of time: over 100 years between inspiration and realisation.
Legacy Machine 101 embodies and accentuates the very essence of what is essential in a wristwatch: the balance wheel, which is responsible for regulating precision; how much power remains in the mainspring, which indicates when it needs to be next wound; and of course, the time.
LM101 has one more very special feature, one that cannot be seen: it houses the very first movement developed entirely in-house by MB&F.
Visually, LM101 is dominated by the monumental suspended balance wheel. Two pristine-white subdials: At the top right, highly legible hours and minutes are displayed by beautiful blued-gold hands , while the 45-hour power reserve indicator is displayed in a smaller, but similar subdial below.
In an apparent feat of magic, the sapphire crystal protecting the dial appears to be invisible; creating the illusion that you can reach out and touch the balance wheel hanging mesmerisingly from elegant twin arches.
Turning over Legacy Machine 101, the display back crystal reveals the exquisitely hand-finished movement. Sensually curved plates and bridges designed by award-winning independent watchmaker Kari Voutilainen pay homage to the style found in high quality historic pocket watches and testify to the respect accorded to historical legitimacy.

Technical specifications

ENGINE
Three-dimensional horological movement developed in-house by MB&F
Aesthetical design and finish specifications: Kari Voutilainen
Manual winding with single mainspring barrel
Power reserve: 45 hours
Balance wheel: Bespoke 14mm balance wheel with four traditional regulating screws floating above the movement and dials
Balance spring: traditional Breguet curve terminating in mobile stud holder
Balance frequency: 18,000bph/2.5Hz
Number of components: 229 components
Number of jewels: 23
Chatons: gold chatons with polished countersinks
Fine finishing: superlative hand finishing throughout respecting 19th century style; internal bevel angles highlighting hand craft; polished bevels; Geneva waves; hand-made engravings
CASE
Available in 18k red gold or 18k white gold
Dimensions: 40mm wide x 16mm high
Number of components: 35
FUNCTIONS
Hours, minutes and power reserve indicator. Large suspended balance wheel over dial
SAPPHIRE CRYSTALS
High domed sapphire crystal on top and box sapphire crystal on back, both with anti-reflective coating on both sides.
STRAP & BUCKLE
Black or brown hand-stitched alligator strap with gold tang buckle to match case

Who's who

“Amazing. Maximilian Büsser is definitely an amazing person.” If you ask Laurent Picciotto to go over the main points of his history with the big man at MB&F, you’ll initially be met by a long silence and a pensive look. Where to begin? What about the first meeting, when “Max” was on a work placement at Jaeger-LeCoultre? When he was head of Harry Winston Watchmakers? When he transitioned to become a designer, bringing together the greatest watchmaking talent at MB&F? These are all stages in Max Büsser’s career; yet the person who passed through them has been so different in each role that it can sometimes be difficult to see the continuity. Be that as it may, the link between the two men was indeed first forged in Paris, twenty years ago. Laurent Picciotto had opened Chronopassion three years previously, laying the foundations for a brand that was to become a benchmark, but which at that time was pretty much a complete unknown beyond a tiny number of top watchmaking connoisseurs. Meanwhile the young Maximilian Büsser had just graduated from the Lausanne Federal Polytechnic School and joined Jaeger-LeCoultre. Büsser was enamoured with watchmaking mechanics. When he was in Paris, he went to see Chronopassion in rue Saint Honoré. “He stayed over three hours,” recalls Laurent Picciotto. “He was enthusiastic and inquisitive. He asked thousands of questions – he was an unusual young man and already knew a lot more about watchmaking culture than he was letting on.” Max Büsser worked in Jaeger-LeCoultre’s Marketing department for seven years. He left in 1991 to move to Harry Winston. The 5th Avenue jewellers in New York City had already made some inroads into the watchmaking world, but without any major breakthroughs. The first timepieces dated back to 1989, but had failed to find much success. Output remained tiny, as the young Max Büsser sowed the seeds of high-class watchmaking at the jewellers. He was soon promoted to the position of Managing Director of the Rare Timepieces department. That was when the paths of the two men crossed again. “I was out for a walk in Geneva,” says Laurent Picciotto, “when a man in a car stopped next to me. He was no longer the young apprentice from Jaeger, but the CEO of Harry Winston Watchmakers. I didn’t recognise him – he’d completely changed, even physically! He really had taken on the stature of CEO. It was amazing.” The two men then saw each other every year during the course of Harry Winston business. The watchmaking part of the brand, driven by Max Büsser, gradually took shape, “but I was interested only in the Opuses,” says Laurent Picciotto with a smile. A friendship developed and when Max Büsser left Harry Winston in July 2005, a new chapter in it began. “Max told me about his new project, MB&F, standing for Maximilian Büsser & Friends. I said just three words to him: ‘I’ll follow you.’ He was a little surprised, as he didn’t have any immediate plans to establish the brand in France and he hadn’t even got the slightest prototype anywhere near ready!” Picciotto’s instinct was right, though. The first Horological Machine, HM1, came into being two years later in 2007. “This timepiece is difficult to apprehend – you need to put it on your wrist and wait a good quarter of an hour before being able make up your mind,” remembers Laurent Picciotto. The next part of the adventure is better known: four HMs and an LM, standing for Legacy Machine, a piece that pays tribute to watchmaking inventors. It is more aesthetically accessible but no less technically complicated for all that. Each MB&F item is the fruit of the greatest talents in top watchmaking, in terms of both watchmaking technology itself and design: Jean-François Mojon, Kari Voutilainen, Peter Speake-Marin, Laurent Besse, Jean-Marc Wiederrecht, Eric Giroud, and so on. “At the end of the day, MB&F timepieces really do need to be adopted by their owners. Max adds a touch of humour, born out of his uninhibited approach to watchmaking. It’s definitely a brand that brings a breath of fresh air to the watchmaking landscape, shaking it up to just the right degree,” concludes Laurent Picciotto.
 
Journaliste : Olivier Müller
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