The Inspiration
Powerful and otherworldly, T-Rex was nevertheless drawn from a source both whimsical yet familiar. A quirky ornament on the desk of MB&F founder Maximilian Büsser, composed of a Christmas bauble perched atop two chicken legs. Members of the avian species are said to be modern-day descendants of the mighty dinosaurs of old, but the comic air of T-Rex’s inspiration had a long way to evolve before it came to fruition.
Designer Maximilian Maertens was the creative incubator for the eventual rise of T-Rex as the 11th collaboration between MB&F and L’Épée 1839. The 1993 film Jurassic Park was a big influence on Maertens, being the first movie he remembered watching as a child. Said Maertens, “I just had the idea to do something with dinosaurs, and Max (Büsser) was very interested in biomechanical designs at the time, so we melded these two sources around his little desk sculpture and took the next step.”
T-Rex is closely modeled on the actual skeleton of a Tyrannosaurus Rex, with Maertens studying 3D scans of dinosaur fossils to inject authenticity into the proportions and positioning of T-Rex’s legs.
In the course of designing T-Rex, Maertens even came up with a little backstory to inform the process of developing the perfect balance of mechanical and organic visual elements. “The story takes off from ideas given to me by past projects of MB&F, that we have a pilot in his starship discovering new planets. Eventually, he got so far out in space that the only way back to Earth was via a black hole, but it time-warped him back to the time of dinosaurs and the starship was fused with a hatching dinosaur egg. You see the remnants of the starship in the body of the clock and the movement, the dinosaur appears via the legs, and even the black hole remains part of the design, via the dial that sinks inwards towards the center where time originates.”
The Movement and Body
T-Rex is powered by a 138-component movement, designed and produced in house by L’Épée 1839, and finished to the very highest standards of traditional Swiss clockmaking. At the very top of the hand-wound movement, clearly visible through the skeletonized clock body surrounding it is a balance beating at 2.5Hz (18,000vph). The eight-day power reserve is rewound directly via the barrel axis positioned at the back of the movement, while time is set through the center of the dial. Both actions are taken with the same key.
Hand-blown Murano glass forms the clock dial of T-Rex, a material that both MB&F and L’Épée 1839 became thoroughly familiar within the course of creating Medusa, their 10th collaboration. T-Rex comes in variations of green, deep blue and red Murano glass dials, which are vividly colored with metallic salts via age-old techniques of glassblowing.
The 30-cm tall T-Rex is made of stainless steel and palladium-plated brass and bronze, weighing approximately 2kg distributed over two finely sculpted feet.